Scenes #19 and #20 of the first episode was too long and sleepy.
They have been reworked to have more impact.
Some non-essential replicas have been removed, and others shortened.
Some other scenes of the drama need this type of revision.
In their original version, these scenes benefit from a natural flow.
- The 1st risk is therefore to break this flow during the correction.
- The 2nd risk is to have removed a replica that could have been interesting.
- The 3rd risk is not to remove or shorten sufficiently.
- The 4th risk is that we haven't found more interesting ideas.
Below, you can see the original text of these scenes...

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I remind you of 3 essential principles in writing a script.

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1st principle, autonomy.

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Let your characters live! First ask yourself what they would do, not you.

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They should not become a substitute for your wishes. Leave this to your audience.

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Sometimes the characters become so sculpted and deep that it is as if they existed of themselves, with all the love of their creator.

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2nd principle, consistency.

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Do you really believe that spectators do not take this into account?

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In reality, they hate the stupidities that have been served to them for ages, often in Hollywood blockbusters.

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Who has a first aid certificate here?

Many students raise their hands.

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That's a lot of people.

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And what do you think when you see a cliché scene, in which a character gives a cardiac massage on someone who is still breathing?

A student answers.

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Give a cardiac massage, on someone whose heart is beating, causes cardiac arrest.

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That's right, and it's really unbearable to see that.

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Not only is it poorly written, but if ignorant people reproduce this gesture, they could put someone in danger.

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So, consistency in detail, but more importantly, consistency of the scenario as a whole.

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Take for example a story in which the hero poses as dead, after someone tried to murder him.

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He returned to his city a few years later, determined to take revenge.

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To do this, he makes a false identity for himself, although he is barely disguised.

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The city is fuuuuuull of people or relatives who knew him.

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In fact, he might be discovered every 5 minutes!

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It's simple, my 5-year-old nephew is smarter than this hero...

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...Or than his writer!

An unknown student woman is laughing.

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Seonsaingnim!

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Yes?

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I just read a manhwa with this scenario recently.

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Share your feelings with us.

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I loved it!

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There was a terrible suspense when he was going to be recognized by his enemies.

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And it was heartbreaking when he had to pretend to ignore his former fiancée, with whom he is still in love.

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And also, the hero was such a cute Oppa...

(General laughter in the amphitheatre.)

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(Amused) Thank you for your candor and enthusiasm, Oh Yeon-Joo.

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It is undoubtedly for these naive reactions that some scriptwriters give in to the ease.

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But the audience has matured and is more critical, even for fantasy stories.

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We can no longer serve, as in the past, a scenario filled with unbelievable, illogical things out of context.

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And just that....

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3rd principle, the context.

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Your story takes place in a given environment, such as a police station, factory, or port.

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Investigate this environment thoroughly, and collect the anecdotes that abound.

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You will see that reality is often more extraordinary than what comes out of your imagination.

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It will also give you tons of unexpected ideas, all credible.

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Even in a fiction, the viewer likes to discover a context as sharp as in a documentary.

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Ah, what if I wrote my manhwa script in the hospital environment?

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I would probably have lots of fabulous and realistic stories...

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Surgical operations would have instructive reversals.

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I could even put a character who looks like the Mad Dog in it.

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That will be all for today.

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Please write scenarios that make sense.

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And for suspense or melodrama, brainstorm to stay within a credible context.

(All students together.)

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Yes Seonsaingnim !

(Noise of people picking up their things and leaving the amphitheatre.)

Oh Yeon-Joo is going to the campus.

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Unnie, wait for me!

A student is trying to catch up with her.

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I was sitting next to you during the course.

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Ah, yes.

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The teacher called you Oh Yeon-Joo....

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Yes, it is me.

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The real Oh Yeon-Joo?

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Oh Sung-Moo's daughter, the one he drew in "W"?

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I look like me, don't I?

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You are also pretty.

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It's deabak! I never thought I'd meet you at this script class.

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About the lesson, isn't that a bit rigid as a method?

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Are you kidding, you don't know who the teacher is?

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Song Jae-Jung....

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Is it someone famous?

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Of course, she wrote scripts for TV.

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Super-known dramas like "Queen In-Hyun's man" or "Nine".

The student takes out her smartphone to show the posters.

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Look.

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Oh I see, I rarely watch television.

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She even takes care of the future adaptation of "W" into a drama.

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Gosh... the world is a small place.

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Would you like to have a drink?

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I'm sorry, I have an appointment.

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After maybe? Please, Unnie.

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Then I have to pick up my baby from my mother.

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I had so many questions to ask you.

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We can do that next time. But rather before the class.

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We could make an appointment an hour before. At the local café?

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Yes, let's do that.

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Promised?

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Yes, I promise.